Ildhane Candle Holder

CHF 90.00
Limited Availability

Ildhane has an expressive shape that resembles a bird with a handsome tail. ‘Ild’ is Norwegian for fire and ‘hane’ translates to rooster. Ildhane is casted in solid GGG50 iron. The iron is powder coated.

The tradition of making animal-like figurines is as old as mankind, and it is somewhat hard to tell exactly from which time this object originates simply by looking at the shape. It has an indeterminable quality to it and effortlessly settles in the most diverse interiors.

“It is an eccentric bird that crows loudly and frequently. It is charming, but not diplomatic.”

Please note that the candle is not included.

Ildhane has an expressive shape that resembles a bird with a handsome tail. ‘Ild’ is Norwegian for fire and ‘hane’ translates to rooster. Ildhane is casted in solid GGG50 iron. The iron is powder coated.

The tradition of making animal-like figurines is as old as mankind, and it is somewhat hard to tell exactly from which time this object originates simply by looking at the shape. It has an indeterminable quality to it and effortlessly settles in the most diverse interiors.

“It is an eccentric bird that crows loudly and frequently. It is charming, but not diplomatic.”

Please note that the candle is not included.

  • 710g of GGG50 iron.

    Base Ø 80 mm
    H 140 mm.

  • Hand wash only.

    Avoid scratching the surface.

  • Nedre Foss is a Norwegian brand of Sustainable homeware objects rooted in Scandinavian design.

    The core of Nedre Foss is the notion of the Century Product and what they refer to as Sculptural Utility or bruksskulptur as they say in Norwegian. By this they mean objects that will serve you for at least 100 years, and where the sculptural qualities on one side and the utility aspect on the other, are equal parts of the function.

    Nedre Foss is directed by the design studio Anderssen & Voll. Founded by Torbjørn Anderssen and Espen Voll in 2009.

    Their goal is that the objects should last you for at least a hundred years. The idea of «The Century Product» grew from the rather self evident recognition that the premises for a sustainable object is better solved on a design level rather than leaving this responsibility to the manufacturer.